I wanted the images on this page to be a little whimsical, so I gathered some unusual details for you to see. I am surprised
at the diversity of the images and phenonema that appear on my photographs, and as it is only just over two months since I
began, I am really still adjusting to what has happened. I'm not sure what I am meant to do with these pictures. I hope they
will excite people and make them think a little. There is no talent or effort involved, except perhaps responding to where
I am impulsed to point and click. I don't know if I will continue to be able to capture these anomalies, or why I do, but
I for one am relieved to see evidence of such interdimensional activity going on all around and in such profusion.
In the bottom left-hand corner of the above photo you can see what is known as 'spirit mist' obscuring the bush in this front
garden. An enlarged detail showing the rainbow colours and gentle sparkling of this lovely energy is below.
Below is a rather unusual image. It is a bottle of the sort you would expect perfume to be in. It was found in a garden along
with dozens of faces superimposed on a rainbow of light, amid orbs and other lovely coloured light effects. A ghostly man
appeared sitting in the middle of all this, and next to him, actually larger than he was, appeared this bottle. Nearby was
what I am pretty sure was a lipstick, but it wasn't clear enough to show anyone. The house of a cosmetics baron? I have no
idea, but it is such a pretty image I had to include it. It seemed magical shimmering there.
|SHIMMERING PERFUME BOTTLE ON LAWN
Below is one of the strangest photo's I have taken, and for me it has raised many questions. I was walking in a little park
with my husband enjoying the warmth of a very early spring. We stopped to admire a tall blossom covered Cherry tree grown
wild and tall. I took shots of it from different angles and finally photographed around the base of the tree. All the pics
looked so normal I nearly erased one of the ground at the trunk. A slight difference of colour caught my eye and made me look
more closely. When I had trimmed and magnified it I was amazed at what I found. There lying in the grass was a tiny girl (head
and hand only), apparently asleep. The first thing I noticed was that she appeared very much like a painted head from the
work of someone such as Arthur Rackham. It looks very much more like a Victorian illustration than a real being. There could
be several explanations for this. One is 'thoughtography', where images from the mind of the photographer are impressed upon
the picture. An example of this would be Ted Serios, who could impress scenes of photographic clarity onto blank film. It
could also be real. I just don't know, but please e-mail me, your input is welcome.
Below is the head enlarged. It seems to me that fallen cherry-blossom petals have been use to decorate her hair. I have noticed
often that when entities wish to appear they often use the natural backdrop, and the light, as part of the picture to enhance
and stabilise the image. Some beings, including humans, seem better at it than others. While some manage to form only cartoon-like
and sometimes grotesque features, others manage to manifest with amazing clarity.
|SLEEPING GIRL UNDER CHERRY TREE
The image below is an example of that clarity. This image formed in the reflection of a glass window in a door. There was
no-one there to account for it, and in any case it was a very tiny image, as they often are. Some of them are so minute that
I only find them under magnification, and some of them are huge, as you will see later.
I don't really think the strange but compelling face in the image is human, but I have no way of knowing.
|WONDERFUL FACE REFLECTED IN DOOR WINDOW
I have taken a lot of photo's of quartz crystals and other minerals and have found them to frequently contain faces. Most
are human but some are not. In the example below, a strange face peers up at me.
|FACE PHOTOGRAPHED IN QUARTZ CRYSTAL
Below is an example of the kind of images I get when I take a shot in the dark. This was taken in a cemetery in Mission. I
always lighten my images to make sure I'm not getting distant house or car lights, etc. This was taken in the dark at close
range, and is obviously not a light from a 'normal' source. Other people who get images such as these sometimes refer to beings
such as the 'Masters of Light' being responsible for glyphs such as these. I have no idea what they really are. It's very
colourful and looks intelligently structured. It emits it's own light. Beyond that, I can't say.
|UNKNOWN LIGHTS IN NIGHT PHOTO
The photo below is another picture of the full moon in a clear sky. I have more of these, but I'll just use this one to illustrate
how perfectly light can be used to create these images by whatever intelligences influence them (even if it's my own). I don't
understand the process, but I'm hoping to learn from these experiences. To me this looks very much like an eagle with it's
legs outstretched for landing. It may or may not be meant to be interpreted that way. I am less interested in recording data
feverishly, such as temperature, precipitation, bearings, shutter speed etc., than I am in assimilating the experiences and
the images in a way I (and hopefully others) can learn from. I'm also not really interested in proving anything to sceptics.
As people grow and learn they come to realise the reality of the multiverse for themselves. No-one can have that truly and
deeply proved to them other than through personal experience.
Neither am I interested in sciences 'take' on it. I'm personally sick of the collective 'they' in white coats that lead
us so very badly astray with their never-ending and often deliberately misleading data. People will often find what they're
paid to find. I don't really care if my images appear in a tropical thunderstorm. It might be confusing where orbs are concerned,
but to me many of the images I have captured are unmistakably anomalous. If people don't agree, they can always view them
as art - that's a good compromise!
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